Remix and copyright

October 30, 2014 — August 22, 2023

incentive mechanisms
information provenance
intellectual property
Figure 1

“Everything is a remix”. The artistic kind of intellectual property Dem bow, Amen break. Soundclash. Versioning. Detournement. Culture jamming. How to monetize your music.

1 Aside: collage artists I enjoy

2 References

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Hemphill, and Suk. 2008. Remix and Cultural Production.” Stan. L. Rev.
Henriques. 2008. Sonic Diaspora, Vibrations, and Rhythm: Thinking Through the Sounding of the Jamaican Dancehall Session.” African and Black Diaspora: An International Journal.
Lessig. 2004. Free (Ing) Culture for Remix.” Utah L. Rev.
———. 2008. In Defense of Piracy.” Wall Street Journal.
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Manuel, and Marshall. 2006. The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall.” Popular Music.
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———. 2008. Dem Bow, Dembow, Dembo: Translation and Transnation in Reggaeton.” Lied Und Populäre Kultur / Song and Popular Culture.
Marshall, and Beaster-Jones. 2012. It Takes a Little Lawsuit: The Flowering Garden of Bollywood Exoticism in the Age of Its Technological Reproducibility.” South Asian Popular Culture.
Murray. 2009. RIP: A Remix Manifesto.” Culture Machine, June.
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Reid. 2012. Year Zero: A Novel.
Rumburg, Sethi, and Nagaraj. n.d. “A Decentralized Protocol for Audio Content.”
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Xie, Natsev, Kender, et al. 2011. Visual Memes in Social Media: Tracking Real-World News in YouTube Videos.” In Proceedings of the 19th ACM International Conference on Multimedia - MM ’11.